Published
Press enquiries
Call time was 6:30 at a studio in the 11th. By the time the light came through the north windows, Mira had already been through hair, makeup and two wardrobe fittings.
Building the look
The brief was quiet and tactile: raw linen, bare skin, almost no jewellery. The team shot on film first, then moved to digital once the frame was locked.
The cover frame
The image that made the cover came in the last ten minutes, when everyone had stopped trying. That’s usually how it goes.